РАННЕСОВЕТСКИЙ КИНЕМАТОГРАФ КАК ИНСТРУМЕНТ ФОРМИРОВАНИЯ СИНДРОМА ВОЙНЫ: статья в сборнике статей

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Resumo

The article discusses the concept of ‘war syndrome' and its characteristics in the context of early Soviet society. Cinema played a significant role in the militarization of mass consciousness, in particular the so-called ‘defence films', which accounted for a large part of Soviet cinema in the 1920s and reached the peak of their popularity in the pre-war period. In the diversity of genres and themes characteristic of Soviet war cinema, we can identify the main types of propaganda and describe the techniques of agitation employed to create the images of the propagandist discourse (just war, enemy, ally, soldier, and so on); their evolution; and their transformations in the 1920s and 1930s. In combination with other forms of agitation, these images contributed to the creation of the Soviet war myth.
Título traduzido da contribuiçãoEarly Soviet Cinema as a Medium of Militarization of Mass Consciousness (‘War Syndrome')
Idioma originalRussian
Título da publicação do anfitriãoСОВЕТСКИЙ ПРОЕКТ. 1917-1930-Е ГГ.: ЭТАПЫ И МЕХАНИЗМЫ РЕАЛИЗАЦИИ
Subtítulo da publicação do anfitriãoсборник статей
EditoresЛ. Н. Мазур, О. В. Горбачев
Local da publicaçãoЕкатеринбург
EditoraФедеральное государственное автономное образовательное учреждение высшего профессионального образования "Уральский федеральный университет им. первого Президента России Б.Н. Ельцина"
Páginas73-85
ISBN (impresso)978-5-7996-2489-7
Estado da publicaçãoPublished - 2018

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  • 03.23.00

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