ResumoThe object of this study is the Stalinist culture. The aim of the work was to determine the specificity of the effect of macro-modernization process on the development of Stalinist culture
The main hypothesis is that, in our opinion, the Soviet culture 30-50th and everything connected with it, is the result of Stalin's modernization and could not exist outside of this macro-process. Due to the fact that the process was defective with respect to the modernization of the European (and its products), a significant role in it played an art (the Socialist Realism) that is both the same means of modernization, as well as industrialization. Art was a means of forming a system of beliefs about the world, it is a method of translation of values, which speaks of it as a method of reproduction of the Stalinist culture.
During the work we found out that Stalin's modernization as the macro-process has signs of Western modernization, but it inherits many of the tools that have been in the country's history.
Soviet modernization has its own transformative fervor against reorganization of human life. The modernization project was aimed at achieving a particular social utopia, where he played a major role to work as an educational mechanism. The very existence of man in this system carried ontological character, work - educational. Accordingly reality, including labor, supplanted by synthetic way the desired effect, which is at peace with the world around them by deralization. The art in this situation becoming a real lever of modernization and a certain way to build a picture of the world that complements the other levers: political and economic.
|Data do prémio||2015|
|Instituição de premiação|
|Supervisor||Татьяна Анатольевна Круглова (Supervisor)|