The Role of a Mediator in the Participatory Practices in the Museum (Mediation and Facilitated Discussion): статья в сборнике статей

科研成果: Chapter同行评审

摘要

In the era of the participation culture “viewer-inclusive” methods of communication in the museum have become in demand almost everywhere. The authors pose a question to the master of such a communication practices role. Analyzing participatory practices in terms of the achieved results, the authors appeal to the experience of art mediation (D. Malikova, E. Kochukhov, M. Lind, C. Morsh), the VTC method (A. Housen, P. Yenawine) and its version adapted for Russian students — facilitated discussion (N. V. Ievleva, M. V. Potapova). The master of participatory practices acts as a part of an art environment. The master determines the perception and description norms for an art object, even if the traditional position of the teacher and expert is deliberately reject ed. The development of creative thinking is the result of both methods. But if facilitated discussion primarily develops aesthetic literacy, then art mediation expands the museum communicative environment, attracting visitors from different demographic and psychographic groups and numerous communities.
源语言English
主期刊名Communication Trends in the Post-Literacy Era: Polylingualism, Multimodality and Multiculturalism As Preconditions for New Creativity
主期刊副标题monograph
编辑M. O. Guzikova
出版地点Ekaterinburg
出版商Издательство Уральского университета
719-738
页数20
ISBN(印刷版)978-5-7996-3081-2
DOI
Published - 2020

GRNTI

  • 04.11.00

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